ALE AL is a Colombian pop artist who fuses pop with alternative, blending her Latin roots with an international vision. With a five-year career and at 20 years of age, she has achieved important international success. Her voice is her primary instrument and emotional guide.
With a powerful and feminine aesthetic, Ale Al creates a visual and sonic universe where each song is a cinematic chapter, leaving her mark on the new wave of bilingual pop with her visual presence and identity, highlighting her powerful voice.
On this occasion, she enlisted the support of a designer from her hometown, Bucaramanga, Eleide Guerra, who has believed in her vision from the beginning and fulfilled her dream of creating crazy outfits. Together, they created a visual aesthetic that complements the emotional intensity of the music video and the intimate universe of the song.
Ale Al is in New York releasing her single “Loca X Ti.” Both her hard work and her dedication to artistic preparation since she was three years old have paid off: she has received a scholarship from a Broadway academy for an intensive camp for Professional Singers, Dance, Theater, and Acting.
The best in each of these disciplines, who have taught other celebrities and direct some of New York’s most iconic musicals, will be Ale Al’s teachers for a month-long concentration on Broadway, where she will have the opportunity to perform in several showcases and audition, and will be seen by celebrities in the American arts.
“LOCA X TI” by ALE AL
“The song was born at a time when I felt that only a new, intense love could save me from loss. I’ve always said that music has saved me, because I write from the depths of my life, from the piano, from my voice, to those who need to feel that connection. ‘Loca X Ti’ speaks of the power of love to rescue us, but also of that internal madness that drives us to give ourselves completely to those we love. It’s a trend toward unconditional love, to dream of a thousand adventures together, to write entire chapters with someone without realizing it. ‘Loca X Ti’ is precisely that: the emotion of going beyond reality when love transforms us. What makes “Loca X Ti” unique is that it was the moment I got closer to my dream song. I broke the barrier to being more intimate, writing from the deepest love and dedicating myself to those I love madly. In the production, my voice connects with a jazzy piano chord that reflects everything I feel. This song was my greatest salvation.” honest, and I hope it also becomes an extension of the love of those who listen to it. “Loca X Ti” marked a new beginning for me as an artist and in my feminine power. It’s a creative evolution where I allowed myself to be more vulnerable, more honest. In the music video, I managed to connect everything I felt while writing it with the language of dance: I played a ballet dancer trapped in the intensity of a love that grows until it becomes a beautiful madness. I wanted to capture that duality: emotional strength and sensitivity. We captured a dancer who is crazy about love, but also sensitive and musical. With every piano note, my voice expresses being in love”.
“Loca X Ti” was released on June 11, 2025, from New York City and was written by Ale Al with producer Christopher in his studio in Bogotá, Colombia, a producer introduced to him by his good friend Manuel Medrano. The song features vocal production in collaboration with artist Selva, who, along with Ale, created harmonies that enhance the emotion of the song.
The official music video was filmed in Miami, directed by Pedro Correa, and conceived under the artistic direction of Ale Al herself. The choreography was developed by Melany, a dancer and close friend of Ale’s, who also contributed to the camera direction. Together, they created a visual piece that represents the emotional intensity and profound love inspired by this song. The video’s styling was created entirely by Ale Al, who has defined her artistic identity since the beginning of her career by designing and constructing her image with her own ideas and hands.
